Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?

On December 5, 2024, a major newspaper ran the headline “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then calmly departed the scene”. The murder in broad daylight was indeed both chilling and disturbing. But numerous US citizens reacted differently: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One post stated: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company created to maximize profits on your health.”

Less than a week after, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with prosecutors seeking the death penalty. So who is Mangione? And what might have motivated the alleged crime? These are the issues John H Richardson attempts to answer in an investigation that explores broader themes, too.

Understanding the Person

A journalist for Esquire magazine, Richardson spent years researching the communities that lurk in the dark corners of the internet, producing articles about people “plagued by genuine concerns about an end-times scenario”. To reveal “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was taken into custody, Luigi had a list of 295 books on a reading platform”. Their subject matter ranged from climate change to masculinity, along with a “focus on his own personal growth, both physical and mental”. Furthermore, Richardson analyzes his communications with online personalities and authors as well as his many updates on digital networks. These original materials, meant to paint a portrait of Mangione, instead render him an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in archetypal terms.

Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’

The Meaning Behind the Crime

As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “refuse” and “depose”, engraved on the ammunition left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to deny coverage. He looks at the evidence Mangione had a chronic back condition, which might have provided motive for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either dominate, or eliminate humanity, or both.

Missing Pieces

Notably missing from the book are interviews with the key individuals. Richardson made requests, but did not anticipate time with Mangione himself. And his family made it clear that they had chosen not to talk to the press in prior to the trial. Another flashing-yellow omission is any significant information about the victim, Thompson, though we learn that under his guidance, from the early 2020s, UHC profits increased by 33%.

Unclear Conclusions

By the conclusion, the reader has little insight of Mangione’s character or what could have driven his accused actions. Worse still, Richardson’s obvious sympathy for him creates the uncomfortable impression of having been privy to a subtle approval of an assassination. In the book’s closing remarks, Richardson presents his fairytale assessment: “We’ve entered a era of stories, the insane ruler, the beast in the labyrinth and the emperor without clothes.” In that fable “outlaw heroes come with a beautiful promise … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”

One thing is certain: as Mangione’s legal representatives works to have accusations that could lead to the death penalty thrown out, any reference of myths, Robin Hoods, heroes or villains will not be allowed in court in defence of this handsome young man with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.

Alexandra Olson
Alexandra Olson

A tech enthusiast and writer with a background in software engineering, sharing insights and experiences.